by artanim | Apr 25, 2019
Project Info
Client:
Cie Gilles Jobin
Year:
2019
Summary
Magic Window is a choreographic piece in augmented reality (AR), created for the renovation of the Aula des Cèdres in Lausanne, Switzerland. Through screens of mobile phones or tablets, users can see the space of the Aula des Cèdres in direct but also virtual dancers embedded in the image and disseminated on the site.
For this piece, we created the 3D bodies of the dancers using body scanning technology, and we performed the motion capture and animation of the virtual dancers.
Credits
Choreography, AR application
Cie Gilles Jobin
Dancers
Susana Panadés Diaz, Diya Naidu, Maelle Deral, Gilles Jobin, Tidiani N’Diaye
Motion capture, 3D scanning and animation
Artanim
by artanim | Oct 18, 2017
Project Info
Producer:
Cie Gilles Jobin
Year:
2017
Summary
Blending art with technology, Gilles Jobin in collaboration with Artanim developed VR_I, a work in which the creator questions our perception of reality and enters new unexplored and unchartered territories for contemporary dance. Thanks to the virtual reality (VR) technology developed by Artanim, VR_I viewers equipped with VR headsets and backpack computers move freely in a total virtual space.
Five viewers at a time may explore this world, moving in turn in an endless desert, an urban landscape or inside a loft at the top of a mountain. Participants each embody an avatar that faithfully replicates their movements, enhancing the feeling of immersion in the virtual world while also enabling them to see their peers. During the experience, participants can thus interact physically and even communicate with the others. Five virtual dancers then come to blur their perception, multiplying, growing to the point of becoming giants or becoming tiny. With these effects of scale, Gilles Jobin addresses the concept of spatiality in a truly original way.
VR_I was selected at the 2018 Sundance Film Festival and received, among others, the Grand Prix Innovation and the Audience Award for best performance at the 49th edition of the Festival du nouveau cinéma de Montréal. VR_I was on tour around the globe from 2017-2020.
More information on the VR technology here.
Credits
A project by Cie Gilles Jobin and Artanim
Production
Cie Gilles Jobin
Choreography
Gilles Jobin
3D scans and motion capture
Artanim
VR platform and immersive technology
Artanim
Awards and Recognitions
by artanim | Aug 15, 2016
Project Info
Client:
Simon Tschachtli
Year:
2016
Summary
For the exhibition Niklaus Manuel and the Reformation Period of the Historical Museum of Bern, we participated to the production of an animated short film based on Manuel’s Dance of Death, a mural consisting of 24 scenes depicting death dancing with people as diverse as an emperor, a beggar, a queen, an abbot, a soldier, a cook, a child and its mother. Choreographer Nina Stadler and dancer Fhunyue Gao conceived an expressive dance performance that was motion captured.
Credits
Client
Bernisches Historisches Museum, Bern
Project
Mercenary, Iconoclast, Dancer of Death – Niklaus Manuel and the Reformation period (13 October 2016 – 17 April 2017)
Concept, 3D modeling and secondary animation
Simon Tschachtli
Choreography
Nina Stadler
Dancer
Fhunyue Gao
Motion capture and animation
Artanim
Music
Salvatore Sciarrino
Annalena Fröhlich
by artanim | Jan 28, 2016
Project Info
Client:
Move for Art
Year:
2016
Summary
We participated to the creation of a show combining dance and 3D animation where a crowd of virtual characters were embodied on stage by a dancer. His 3D clones were projected on three big screens behind him and animated by a choreography that was motion captured before the show. The dancer had to synchronize on stage with the 3D animation to achieve the illusion.
This show was created for the re-branding of Mauritius Telecom.
Credits
Creation and choreography
Move for Art
Motion capture, 3D modeling and animation
Artanim
Live production
AVS Cinematography