We are proud to announce the opening of the VR experience Geneva 1850: A Revolutionary Journey co-produced by Artanim and the Museums of Art and History of Geneva. The immersive installation will be open to public starting from April 12th at Maison Tavel, the oldest standing building in the city of Calvin.
Headset strapped to your head, movement sensors attached to your wrists and feet, you are now all geared up to dive into the Geneva 1850 experience. This VR installation immerses users into the Geneva of a time when the city was on the brink of modernity. In groups of four, impersonating period costume-clad avatars, users are given a chance to discover the city as it was in October 1846, just days before its people rose up in insurrection. Featuring a spectacular number of special effects, the experience is not only a visual, auditory and olfactory one. It also includes a physical and haptic dimension — users can feel themselves walking around the virtual city and pick up actual objects to interact with their environment, their fellow travellers and city dwellers.
Based on 3D data collected through the digitization of the Magnin model exhibited at Maison Tavel, this extraordinary experience is an invitation to travel back in time and witness the outbreak of Geneva’s “Fazy” revolution.
April 12th-July 14th, 2019
Maison Tavel, Rue du Puits-Saint-Pierre 6, 1204 Geneva.
Open from 11am to 6pm, closed on Monday.
Reserve your tickets for a journey through time at MAH-GENEVE.CH
Approximate duration: 45 min.
Dreamscape Immersive, the story-oriented VR company leveraging Artanim’s VR technology and whose backers include movie chain AMC Entertainment and several Hollywood heavyweights (MGM, Warner, 21st Century Fox, Steven Spielberg, Hans Zimmer), opens its first permanent location in the same upscale Los Angeles mall where it ran a pop-up storefront last February featuring its sci-fi-themed Alien Zoo experience.
The permanent storefront in the Westfield Century City mall will initially provide dedicated “theaters” and suit-up areas for three different experiences: Alien Zoo, the undersea adventure The Blu: Deep Rescue, and the Indiana Jones-style Lavan’s Magic Projector: The Lost Pearl. Tickets cost $20, get them here. The new location is part of a rapid expansion effort by the company, which plans to roll out stand-alone and in-theater venues (in partnership with AMC Theatre) outside of California.
Follow Caecilia Charbonnier and Sylvain Chagué, who are also the co-founders and co-CTOs of Dreamscape during the opening day at Westfield. Below, some pictures of the elegant Dreamscape store.
Do you feel in control of the body that you see? This is an important question in virtual reality (VR) as it highly impacts the user’s sensation of presence and embodiment of an avatar representation while immersed in a virtual environment. To better understand this aspect, we performed an experiment in the framework of the VR-Together project to assess the relative impact of different levels of body animation fidelity to presence.
In this experiment, the users are equipped with a motion capture suit and reflective markers to track their movements in real time with a Vicon optical motion capture system. They also wear Manus VR gloves for fingers tracking and an Oculus HMD. At each trial, the face (eye gaze and mouth), fingers and the avatar’s upper and lower bodies are manipulated with different degree of animation fidelity, such as no animation, procedural animation and motion capture. Each time, users have to execute a number of tasks (walk, grab an object, speak in front of a mirror) and to evaluate if they are in control of their body. Users start with the simplest setting and, according to the judged priority, improve features of the avatar animation until they are satisfied with the experience of control.
Using the order in which users improve the movement features, we can assert on the most valuable animation features to the users. With this experiment, we want to confront the relative importance of animation features with the costs of adoption (monetary and effort) to provide software and use guidelines for live 3D rigged character mesh animation based on affordable hardware. This outcome will be useful to better define what makes a compelling social VR experience.
Artanim collaborated with Entropy Studio on the shooting of the first pilot of the VR-Together project. After a short flight from Madrid to Geneva, the actors were 3D scanned with our photogrammetric scanner consisting of 96 cameras, to obtain the 3D surface of their body. Steve Galache (known for his work on The Vampire in the Hole, 2010; El cosmonauta, 2013; and Muertos comunes, 2004), Jonathan David Mellor (known for The Wine of Summer, 2013; Refugiados, 2014; and [Rec]², 2009) and Almudena Calvo were the main characters of this first experience. They were dressed the same way as in the shooting scene.
The shooting was split over two days. The first day was dedicated to shoot the actors in costumes on a complete chroma background with a stereo-camera. This will allow the creation of photoreal stereo-billboards that will be integrated in a full CG-environment. The second day of shooting was focused on full performance capture of the actors. Each equipped with 59 retro-reflective markers and an head-mounted iPhone X, the actors were able to perform the investigation plot (an interrogatory scene) with success. These data will later be used to animate the 3D models of the actors generated from the 3D scans. These full-CG models will be finally integrated in the same virtual environment.
This pilot project will thus offer two different rendering modalities for real actors (stereo-bilboard and CG characters). The impact of both techniques will be studied through user studies with an eye on social presence and immersion.
Dreamscape Immersive, the location-based VR startup using Artanim’s VR technology, today announced the public debut of a limited engagement VR experience called Alien Zoo. Taking reservations at Westfield Century City, Los Angeles, California, the multiplayer experience will be open to the public until March 14th. Below some pictures of what’s waiting for you at Westfield…
We are proud to see our tech becomes public! Read the interview of Caecilia Charbonnier and Sylvain Chagué, who are also the co-founders and co-CTOs of Dreamscape.
VR_I was selected at the 2018 Sundance’s New Frontier Festival that took place on January 18-28 in Park City, Salt Lake City, Utah. The festival is one of the world’s premiere places to debut new independent films and highlights the best in storytelling technology. Again, the contemporary dance piece in immersive VR created in collaboration with the Swiss choreographer Gilles Jobin encountered a huge success with more than 1000 visitors testing the installation during these 9 days of showcase.