
Being Laser – Restless Limbs
Being Laser - Restless Limbs
Experimental videoProject Info
Client:
Alan Bogona
Year:
2024

Summary
Credits
Benjamin Guex, Olivier Longchamp (RealFly Sion)
Flavia Ghisalberti
Artanim
Pro Helvetia
Client:
Alan Bogona
Year:
2024
Client:
Cie Gilles Jobin
Year:
2019
Magic Window is a choreographic piece in augmented reality (AR), created for the renovation of the Aula des Cèdres in Lausanne, Switzerland. Through screens of mobile phones or tablets, users can see the space of the Aula des Cèdres in direct but also virtual dancers embedded in the image and disseminated on the site.
For this piece, we created the 3D bodies of the dancers using body scanning technology, and we performed the motion capture and animation of the virtual dancers.
Client:
Pixilab
Year:
2018
For the creation of the music video “The Craving Society” by Cycle Opérant, Artanim did the motion capture of the dancer Pierre-Yves Diacon. For this shooting, we used our Xsens tracking system to allow the dancer to move in a large industrial environment.
THE CRAVING SOCIETY
CYCLE OPÉRANT
Music
Cycle Opérant (www.cycle-operant.ch)
Mastering
Stéphane Mercier (www.ionison.com)
Video / 3D
Arnaud Parel (www.pixilab.ch)
Dancer
Pierre-Yves Diacon
Assistant
Sylvia Pellegrino
Motion capture
Artanim
© Lexico Records, 2018
Producer:
Cie Gilles Jobin
Year:
2017
Blending art with technology, Gilles Jobin in collaboration with Artanim developed VR_I, a work in which the creator questions our perception of reality and enters new unexplored and unchartered territories for contemporary dance. Thanks to the virtual reality (VR) technology developed by Artanim, VR_I viewers equipped with VR headsets and backpack computers move freely in a total virtual space.
Five viewers at a time may explore this world, moving in turn in an endless desert, an urban landscape or inside a loft at the top of a mountain. Participants each embody an avatar that faithfully replicates their movements, enhancing the feeling of immersion in the virtual world while also enabling them to see their peers. During the experience, participants can thus interact physically and even communicate with the others. Five virtual dancers then come to blur their perception, multiplying, growing to the point of becoming giants or becoming tiny. With these effects of scale, Gilles Jobin addresses the concept of spatiality in a truly original way.
VR_I was selected at the 2018 Sundance Film Festival and received, among others, the Grand Prix Innovation and the Audience Award for best performance at the 49th edition of the Festival du nouveau cinéma de Montréal. VR_I was on tour around the globe from 2017-2020.
More information on the VR technology here.
A project by Cie Gilles Jobin and Artanim
Production
Cie Gilles Jobin
Choreography
Gilles Jobin
3D scans and motion capture
Artanim
VR platform and immersive technology
Artanim
Client:
Simon Tschachtli
Year:
2016
For the exhibition Niklaus Manuel and the Reformation Period of the Historical Museum of Bern, we participated to the production of an animated short film based on Manuel’s Dance of Death, a mural consisting of 24 scenes depicting death dancing with people as diverse as an emperor, a beggar, a queen, an abbot, a soldier, a cook, a child and its mother. Choreographer Nina Stadler and dancer Fhunyue Gao conceived an expressive dance performance that was motion captured.
Client
Bernisches Historisches Museum, Bern
Project
Mercenary, Iconoclast, Dancer of Death – Niklaus Manuel and the Reformation period (13 October 2016 – 17 April 2017)
Concept, 3D modeling and secondary animation
Simon Tschachtli
Choreography
Nina Stadler
Dancer
Fhunyue Gao
Motion capture and animation
Artanim
Music
Salvatore Sciarrino
Annalena Fröhlich