Client:
Fédération Française de Ski (FFS)
Year:
2017
Start date:
December 2015
End date:
December 2016
Funding:
Commission for Technology and Innovation (CTI)
Coordinator:
Geneva University of Art and Design (HEAD)
A sample model on a higher technological level, such as a precise virtual 3D prototype, contains innovative numerical fitting information (e.g., data about the areas of compression of a garment) that could improve the design and quality of the final sports garment and better satisfy the customer.
The aim of this research project was thus to reform existing garment prototyping processes for the active sportswear sector. The main focus was on the definition of accurate physical and mechanical high-tech sports fabric properties and on the use of virtual sports body animations to perform accurate simulation of sports garments.
In this project, Artanim was in charge of providing realistic body animations of different sports (alpine skiing, Nordic skiing, running and hiking). Moreover, Artanim worked on the development of software tools to improve the fabric measurements protocol by analyzing body motion and deformation.
Geneva University of Art and Design (HEAD)
Fabric measurements and garments 3D simulation
Artanim
Motion capture, body modeling and animation, development of body motion and garment deformation analysis software
Odlo International SA
Garments 3D design and industrial supervision
Start date:
January 2013
End date:
December 2016
Funding:
Fondation Agalma
Coordinator:
Fondation Agalma
Social interaction generally involves a multi-layered interaction where there is an interplay of self and other representations together with a participatory factor where people feel “they do things together”. Descriptions of this interaction range from high-level intentional descriptions on shared representations down to precise motor, gestural and postural studies on behavioral coordination.
In this project, we used motion capture in order to record and study specific motor factors of two people when they engage in joint action tasks and/or in social interaction. It was hence possible to obtain quantitative measurements at the behavioral level (body posture, motor coordination and synchronization, nonverbal language, etc.) in order to explore the brain and bodily mechanisms that relate to it. Respiration coupling and dual electroencephalography were also performed in this project.
Fondation Agalma
Experimental tests
Artanim
Motion capture and analysis
University Hospitals of Geneva – Service of Child and Adolescent Psychiatry
Experimental tests
EPFL – Brain Mind Institute
Acquisitions of physiologic data (respiration, EEG, etc.)
Preissmann D, Charbonnier C, Chagué S, Antonietti JP, Llobera J, Ansermet F, Magistretti PJ. A motion capture study to measure the feeling of synchrony in romantic couples and in professional musicians, Front Psychol, 7:1673, 2016.
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Llobera J, Charbonnier C, Chagué S, Preissmann D, Antonietti JP, Ansermet F, Magistretti P. The Subjective Sensation of Synchrony: An Experimental Study, PLoS ONE, 11(2):e0147008, 2016.
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Start date:
November 2014
End date:
October 2016
Funding:
Private
Coordinator:
Artanim
The goal of this project was to develop several surgical planning tools taking into account both the anatomy and kinematics of the patient’s joint. We intended to continue and extended our previous research works by integrating them into a 3D surgical planning solution, called ArthroPlanner, which could be used in clinical routine and could thus directly benefit patients.
This project mainly aimed at developing solutions for the dynamic planning of the hip and shoulder and at extending our work to the knee.
Lädermann A, Chagué S, Preissmann D, Kolo FC, Zbinden O, Kevelham B, Bothorel H, Charbonnier C. Acromioplasty during repair of rotator cuff tears removes only half of the impinging acromial bone, JSES Open Access, 4(3):592-600, 2020.
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Lädermann A, Chagué S, Preissmann D, Kolo FC, Rime O, Kevelham B, Bothorel H, Charbonnier C. Guided versus Freehand acromioplasty during rotator cuff repair. A randomized prospective study, Orthop Traumatol Surg Res, 106(4):651-659, 2020.
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Lädermann A, Chagué S, Preissmann D, Kolo FC, Rime O, Kevelham B, Bothorel H, Charbonnier C. L’acromioplastie guidée comparée à l’acromioplastie à main levée dans la réparation de la coiffe des rotateurs. Une étude prospective randomisée, Revue de chirurgie orthopédique et traumatologique, 106(4):372-380, 2020.
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Charbonnier C, Duthon VB, Chagué S, Kolo FC, Ménétrey J. In Vivo Static and Dynamic Lengthening Measurements of the Posterior Cruciate Ligament at High Knee Flexion Angles, Int J CARS, 15(3):555-564, 2020.
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Charbonnier C, Chagué S, Kevelham B, Preissmann D, Kolo FC, Rime O, Lädermann A. ArthroPlanner: A Surgical Planning Solution for Acromioplasty, Int J CARS, 13(12):2009-2019, 2018.
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Charbonnier C, Chagué S, Kolo FC, Duthon VB, Menetrey J. Multi-body Optimization with Subject-Specific Knee Models: Performance at High Knee Flexion Angles, Comput Meth Biomech Biomed Eng, 20(14):1571-1579, 2017.
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Lädermann A, Kolo FC, Chagué S, Charbonnier C. Is acromioplasty planification useful? A prospective randomized trial, XIVe Congrès de la Société Francophone d’Arthroscopie, Paris, France, Revue de chirurgie orthopédique et traumatologique, 103(8):S268, September 2017.
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Charbonnier C, Kolo FC, Lädermann A. Acromioplasty Planification: A Randomized Prospective Study, 27th Annual Congress of the European Shoulder and Elbow Society (SECEC), Berlin, Germany, September 2017.
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Charbonnier C, Chagué S, Kevelham B, Kolo FC, Lädermann A. ArthroPlanner: A Surgical Planning Solution for Acromioplasty, 30th International Congress of Computer Assisted Radiology and Surgery, Heidelberg, Germany, Int J CARS, June 2016.
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Client:
Simon Tschachtli
Year:
2016
For the exhibition Niklaus Manuel and the Reformation Period of the Historical Museum of Bern, we participated to the production of an animated short film based on Manuel’s Dance of Death, a mural consisting of 24 scenes depicting death dancing with people as diverse as an emperor, a beggar, a queen, an abbot, a soldier, a cook, a child and its mother. Choreographer Nina Stadler and dancer Fhunyue Gao conceived an expressive dance performance that was motion captured.
Client
Bernisches Historisches Museum, Bern
Project
Mercenary, Iconoclast, Dancer of Death – Niklaus Manuel and the Reformation period (13 October 2016 – 17 April 2017)
Concept, 3D modeling and secondary animation
Simon Tschachtli
Choreography
Nina Stadler
Dancer
Fhunyue Gao
Motion capture and animation
Artanim
Music
Salvatore Sciarrino
Annalena Fröhlich
🆕 #i2CAT is coordinating #PRESENCE, a @HorizonEU research project aimed at enhancing hyperrealistic remote interactions in #ExtendedReality #XR
🗣️“The next level of human-to-human and human-machine interaction in virtual worlds will be reached in a way never witnessed before",…
#Genève Dès ce samedi 9 décembre, #Dreamscape, à Confédération Centre, invite le public à voyager dans le temps!
On peut désormais revivre la nuit de l’Escalade de 1602, grâce à la dernière aventure de réalité virtuelle conçue par la fondation @artanim_mocap. ⚔️
Une…
We're proud to announce the launch of our new immersive #VR experience "Escalade - The Darkest Night", created in partnership with the Compagnie de 1602 and offered exclusively at the @Dreamscape Geneva center.
Get tickets 👉
https://t.ly/m4wTG
